The Character of Falstaff in Shakespeares Henry IV, Part I Essay

The Character of Falstaff in atomic number 1 IV, Part I Shakespeares genius in case and plot development is exemplified in dickens of his most complex history plays, Richard II and hydrogen IV, Part I. With these sequent plays, Shakespeare vividly develops characters and sets up complicated plots by juxtapositioning people with others. Specifically, he first of all creates a binary opposition between Richard and Bolingbrook in Richard II, and then, recalls the plot and carries kayoed an almost mirror image character contrast with Hal and Hotspur in atomic number 1 IV, Part I. However, in typical Shakespeare fashion, the jibemingly mirror-image binaries of Richard/Bolingbrook and Hal/Hotspur break down with Shakespeares character complexity. A major reason why these character parallels do not perfectly hold up is because of the marvelous character of Falstaff. Absent from Richard II, Falstaff is introduced in heat content IV to create intricacy and ambiguity r egarding likenesses among these characters. Falstaff significantly complicates the Hotspur-is-to-Bolingbrook-as-Hal-is-to-Richard II assumption because Falstaff has so much in common with the poof. Therefore, as contrasted to Hotspurs becoming the Bolingbrook persona, it is the drunken and disorderly Falstaff who becomes the character most parallel to the King. However, the King associates himself with Hotspur, who, as his name suggests, is a relentless warrior. The King puts forth a sense that Hotspur will act as Bolingbrook did in Richard II, by contend the Princes right to the throne he feels that Bolingbrooks rivalry with Richard is reflected in Hotspurs position as Hals challenger. In the first scene of Henry IV, Part I, King Henry immediately ... ...tspur seems unfitting. Adding complexity to characterization through his comical action, Falstaff is a authoritative character in Henry IV, Part I, and it is through the character of Falstaff that we see the para llel between Hotspur and Bolingbrook breaks down. Works Cited and Consulted Coleridge, Samuel Taylor. H.C. Robinsons Memoranda Henry IV, Signet Classic, pp. 236-237. Goldman, Michael. Shakespeare and the Energies of Drama Henry IV, Signet Classic, pp. 260-261. Johnson, Samuel. The Plays of William Shakespeare Henry IV, Signet Classic, pp.234- 235. Kahn, Coppelia. Mans Estate Masculine Identity in Shakespeare Henry IV, Signet Classic, pp.262-266. Shakespeare, William. Henry IV, Part I, ed. M.A. Shaaber, Penguin Books (NY 1985). Wilson, John Dover. The Fortunes of Falstaff Henry IV, Signet Classic, pp.238-243.